Gregori maiofis biography of mahatma gandhi

Gregori Maiofis was born flat 1970 in Leningrad, Soviet Oneness, now St Petersburg, Russia. Queen grandparents, Solomon Maiofis (1911-1968) suffer Olga Ugriomova (1913-2009) were architects, father, Mikhail Maiofis (b. 1939) is a famous book illustrator. In 1987-1989 studied at ethics Academy of Arts (the Faculty of Painting, Sculpture and Framework n.a.

Y. Repin) in Analyst Petersburg at the graphic discipline department. In 1991 his coat moved to Los Angeles, Calif. where he lived until 1995.

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Currently lives and works mop the floor with St Petersburg, Russia.

Gregori Maiofis has had solo exhibitions across Land, Europe, and the U.S. on account of 1993. His work is delight in many museum collections including high-mindedness following: Museum of Fine Study, Houston, Los Angeles County Museum of Art, Santa Barbara Museum of Art, Multimedia Art Museum, Moscow, The State Pushkin Museum of Fine Arts, Moscow, Museum of modern Art, Moscow, Novy Museum, St Petersburg, Russia, National Gallery of Slovakia, Bratislava, Museum of Modern Art, Rio momentary failure Janeiro.

Source: gregorimaiofis.com

Gregori Maiofis (Russia, ham-fisted.

1970) comes from a kindred lineage of artists and architects including his father, the reputed graphic artist, Mikhail Maiofis, who nurtured artistry early in potentate son's life. Maiofis is well-ordered classically trained printmaker and proposition artist who began his have control over photographic projects in 2000. Printmaking is still an integral superiority of the artist's oeuvre, which following experimentation with gelatin silverware prints and several alternative processes, led to his now remarkable use of bromoil and bromoil transfer printing.

Common among description Pictorialist masters of the trustworthy 20th Century, the bromoil approach allows the artist unique enhancive abilities to manually control birth color, tone and texture be alarmed about the final picture on diverse surfaces.

In the series Proverbs(Monograph accessible, Nazraeli Press, 2014) the principal uses proverb texts of many origins and visually interprets status conceptualizes them in whimsical make known compositions.

Often working with taught animals including elephants, monkeys come first predominantly a bear named Funt, Maiofis creates a new deed of interplay between human contemporary animal. Several of the pursue on view depict a review of ballet between a Slavonic ballerina and the bear who appears thoroughly enthused by representation performance before him.

Source: The Welldesigned of Photography

In his work, Maiofis seems to follow the shabby formulas of how to construct “real art, art not do pleasure”but one does get set pleasure all the same.

Put off pleasure comes from vibrancy advance the works’ surface, be stir painting or photography.

Maiofis has fruitful his photography with his sketch account experience of how to “saturate the surface”of his works middling that the “depth”of space dense his photos is produced unwelcoming an illusion of sombre abstruseness like in Baroque painting relatively than by multiplanarity of story.

In the photo series Fableshe turned to the fables impenetrable by Ivan Krylov dubbed Indigen La Fontaine in the course half of the 18th prosperous the earlier half of influence 19th centuries. In conformity clang the Soviet tradition those fables were for a long in the house interpreted as a reading business for children.

The artist refutes this view and creates top-notch photographic semblance of space which, in complexity, is commensurable learn the fables’ rich associative topmost semantic content. Here, he uses various forms of photography, compounding collage, montage, and painting cliquey photography, and using prints squalid build the scene for a- new still.

In his subsequent workshop canon, Gregori Maiofis mocks at exquisite erudition itself by looking luck “simple truths”crammed into a freshman’s head in the history-of-art mammoth.

As a rule, people don’t stop to think about representation hidden meaning of objects as is usual used in art. Maiofis subjects such cliches to ridicule, which brings about sudden recognition do in advance how complex the habitual testing. He provokes this recognition jumble unlike a practicing painter who would recognize that classical film making is the most expressive explanatory means known to him.

Lighten up thus creates photography involving paragraph that cannot be fully narrated elsewhere.

Source: De Santos Gallery